William J. Sullivan’s “Victim’s Victim”: A restrained piece of art that doesn’t hold back.

The instrumentation throughout is experimental and purely inventive.

“Victim’s Victim” is a layered track that showcases the collaborative energy between William J. Sullivan and Doseone perfectly. From the very start, the track creates an almost hypnotic atmosphere around it. The track refuses to simply be background music; it demands the listener's engagement, attention, and reflection.

The opening of the song immediately sets an eerie tone. The experimental approach for the instrumentals was truly needed. The song feels intentional in how each element of the song is carefully placed to heighten the intensity of the music.

“Victim’s Victim” is a bold piece of music.

The production is polished in a way that there are some minor details that can only be revealed to a repetitive listener, making it a masterpiece of a work. Doseone’s contribution is where “Victim’s Victim” truly comes alive. His vocal delivery is deliberate in a way that only enhances the music even more.

The lyrics touch on themes of power and vulnerability. There are lines that are pure abstract poetry in raw emotions. The vocal delivery aligns perfectly with the musical tension. It rises and falls perfectly with the sonic background. One of the track’s most amazing elements is how it balances tension and release.

There are moments of chaos where the instruments perfectly collide with each other. These contrasts make the listening experience both intense and unpredictable. Lyrically, the song avoids storytelling in favor of impressionistic expression.